glynis owen
Mediums Used
“Glynis Owen`s work travels the fluid line between figurative and abstract art.”
In stone, glass and metals, Glynis Owen creates distinctive civic, private and commemorative works from her studio in Hampstead, London.
She is a Fellow of the Royal Society of British Sculptors and a member and serves on the commitee of the Printmakers Council. An author of books on the techniques of sculpture, she is also a consultant and designer of awards. Her work has been commissioned and widely exhibited and is held in both public and private collections.
“Figure in landscape, landscape in figure”
Growing up in Sussex and Hampshire, the silhouette, contours and sense of landscape of the South Downs made a strong, early impression on me. The undulating lines, curves and textures became a formative visual reference that influenced the pared down figurative imagery of my work.
Materials and their unique features both intrigue and create an excitement and interest that carries the idea forward, providing a momentum. It is important to me that the material is allowed to speak for itself whether the work is in stone, glass or metal.
More recently my work has taken a new direction. A close collaboration with the commissioning architects, involved an extensive and absorbing exploration to create a memorable site specific work in aluminium, evolved from landscape images.
Recent work focuses on a more abstract sense of landscape imagery reflecting the diversity of the earth`s surface. Drawing from its geological formations and lines of erosion, the work is cast in metal from sands with burnished areas. This new series, combines the random, natural quality of the material from which it is created, cast into metal with highly polished areas that both define and reflect the surface detail.
I am currently working on a new series of stone carvings in limestone and alabaster.
Sculptures by glynis owen
Credentials
Qualifications
BA Portsmouth College of Art 1962 -66
ATC University of London, Goldsmith`s College 1966 -67,BA Portsmouth College of Art 1962 -66
ATC University of London, Goldsmith`s College 1966 -67Exhibitions
yes
Publications
Books and Publications:
Who’s Who in Art 1976 – 2017
Making an Impression Printmaker’s Council at 50 Imprimata 2015
CMYK A Feast of Printmaking in Colour Imprimata (PMC) 2014
Works on Paper (PMC) 2014
Design and Artists Copyright Society: 20 Years 2004
Creative Gardens Author David Stevens Hamlyn Publishing 1986
Open Air Sculpture in Britain – W J Strachan, Zwemmer/Tate Gallery 1984
Stevenage The Developing Town Ashdown Press 1983
Carving Techniques Batsford 1976 (as Glynis Beecroft)
Casting Techniques Batsford 1978 (as Glynis Beecroft)
Carving Techniques Batsfoerd 1980 paperback (as Glynis Beecroft),Books and Publications:
Who’s Who in Art 1976 – 2017
Making an Impression Printmaker’s Council at 50 Imprimata 2015
CMYK A Feast of Printmaking in Colour Imprimata (PMC) 2014
Works on Paper (PMC) 2014
Design and Artists Copyright Society: 20 Years 2004
Creative Gardens Author David Stevens Hamlyn Publishing 1986
Open Air Sculpture in Britain – W J Strachan, Zwemmer/Tate Gallery 1984
Stevenage The Developing Town Ashdown Press 1983
Carving Techniques Batsford 1976 (as Glynis Beecroft)
Casting Techniques Batsford 1978 (as Glynis Beecroft)
Carving Techniques Batsfoerd 1980 paperback (as Glynis Beecroft)
From her earliest years at art school, Glynis Owen`s sculpture reflects a fascination with materials and the exploration of their particularities and qualities to best express her tactile, abstracted imagery.
This perspective changed significantly after leaving Goldsmith`s College, to become assistant to the sculptor, Lynn Chadwick. In learning to construct his angular, welded sculptures for international exhibitions, her sculpture reflected a new focus in line, form and spatial relationship.
Consolidating this experience, Glynis Owen established her studio, first in Hampshire and later in Hampstead, London. Commissions followed for schools, colleges and civic situations where her responsive approach and attention to detail were reflected in successfully meeting the site-specific requirements of the project.
Her latest major project, working in close collaboration with the commissioning architects, has been to create a memorable, site-specific three-panel aluminium relief, evolved from landscape images. It was completed in 2011.
The work from the collaboration has inspired her to make a new series of smaller work (Terra Firma series) that extends her interest in the imagery of the earth`s surfaces and draws more directly on geological elements. She recombines them in an exploration, working with contrasts of line, contour, pattern, texture and reflective areas.
Early influences Wotruba, Zadkine and Brancusi
Current influences: Caro, Serra, Chillida, Judd
There are still serious artists in Hampstead Ham and High 2016
Subtract the Square mile Sunday Times October 2015
Open House, London. 2011
Sculpture to honour fruit and veg market`s history.London News 20 October. 2006
A fitting Monument: Covent Garden magazine. 2006
Artist in Residence: Exclusive Magazine. February 2004
The Teaching Awards : Education Guardian 2004
Art in the Park: Country Landowner August 2003
The Teaching Awards: Education Guardian 2003
Love, Loss and Betrayal : Artists Newsletter. February 2002
The year of the artist : Natural Stone Specialist. Nov 2001
Touching Art for Tate Modern: Natural Stone Specialist.Nov 2000
Sculptor creates new `Oscar` for top film producer. Camden New Journal 9 11 00
A Winter Aesthetic. Gloss. Independent on Sunday. 4 Oct 1998
Tributes to duPre are set in stone: Strad. February 95.
A private collector in Switzerland: Stone Industries. Jan/Feb 1993
Sculptress angered by fate of sculpture : Guardian.29 November 1991
Art. Sculptures for Glyndebourne: Ham and High. May 24 1996
The neighbourly tribute to duPre:Ham and High. March16 1990
Mstislav Rostropovich with Glynis Owen`s new bronze of Jacqueline du Pre: Guardian. March 10th 1990
Uncanny twist to du Pre sculpture: Evening Standard. April 2nd 1990
Turning Sculpture into charitable art: Tiimes Group. April 2nd 1990
Cellist Sculpture on show Festival Hall: International press cutting bureau:8/16 March 1990.
Sculpture with Architectecture:Arts Review. February 1981
Open Air Sculpture in Britain: Zwemmer/Tate Gallery publication
Choosing stone for sculpture: Stone Industries. April 1980
2004- 06 Covent Garden Commemorative Relief (Fruit Porter Bronze) Covent Garden Piazza, London
Commissioned by the Worshipful Company of Fruiterers
2003 Stafford Faces. Town Centre, Stafford
Commissioned by Mountford Pigott Architects
1980 -82 Family. Stevenage Town Centre, Stevenage, Herts.
Commissioned by Stevenage Development Corporation
1976 Guardian. Alton College, Hampshire
Commissioned by Hampshire County Council