david farrer
Mediums Used
David Farrer is a successful British Sculptor, who specialises in Trophy Heads, made from Paper Mache; a concept born of his time in South Africa endeavouring to encompass the green issues of hunting while incorporating recycled materials, to create a piece of fine art. He has been doing this for the last 11 years and has enjoyed great acclaim.
“My favoured subject matter is ecological, having a strong interest in “green” matters. My work reflects this. The recycled head concept came about in 1995 while working in South Africa. Over the years I have travelled extensively in this part of the world and never cease to be amazed by its beauty and abundant wildlife”. There are admirable wildlife protection policies in operation, yet hunting and specifically trophy gathering remains big business too. I decided to bridge the gap by producing a “recycled trophy” that would satisfy the urge to hang an animal head on the wall but promote pro-ecological thought. “Although the idea was born in Africa I have diversified into European and North American beasts, which to some sections of the public have more familiar appeal.”
David Farrer 2000
Sculptor
Sculptures by david farrer
Credentials
Qualifications
I studied a fine art degree in Sunderland and The Hague, majoring in printmaking. I graduated in 1990. I still draw, if not as much as I`d like to and have a printing press raring to go, when I can find a minute!,I studied a fine art degree in Sunderland and The Hague, majoring in printmaking. I graduated in 1990. I still draw, if not as much as I`d like to and have a printing press raring to go, when I can find a minute!
Exhibitions
yes
Awards
Publications
1998 Fish produced for ‘The Molly’, an independently produced film
1998 Work featured on Channel 4’s Collectors Lot
1999 BBC Radio York interview re. Mercer Gallery exhibition
1999 ‘The Ticket’, Anglia Television Arts Programme re. Stamford Show
2002 Work allegedly featured on ITV’s ‘Jeffrey Archer, the truth’
2003 Worked with the BBC on ‘Rolf on Art’ Dali programme
2003 Work featured on ITV’s ‘Britain’s Best Home’
2003 Featured on BBC’s Backstage Pass
2003 Featured artist on BBC ‘SMart’ art programme
2003 BBC ‘Big Toe Radio Show’ studio guest
2004 BBC Radio York feature re. Work at Hotel du Vin, Harrogate
2004 BBC Look North Feature & interview
2004 BBC Southern Counties Radio ‘Sunday Sofa’ Guest
2004 Radio Leeds phone-in guest re. ‘Sculpture in public places’
2004 Featured on CBBC ‘Exchange Programme’
2004 BBC South Today feature
2004 ITV Meridian News Feature & interview
2007 Featured in ITV Meridian programme about West Dean College
2013 Work featured on BBC Bargain Hunt
2011-13 Channel 4 Chatty Man
2017 Work featured on’ Through the Keyhole’
1996 to present Numerous magazine & press features (I lost count!),1998 Fish produced for ‘The Molly’, an independently produced film
1998 Work featured on Channel 4’s Collectors Lot
1999 BBC Radio York interview re. Mercer Gallery exhibition
1999 ‘The Ticket’, Anglia Television Arts Programme re. Stamford Show
2002 Work allegedly featured on ITV’s ‘Jeffrey Archer, the truth’
2003 Worked with the BBC on ‘Rolf on Art’ Dali programme
2003 Work featured on ITV’s ‘Britain’s Best Home’
2003 Featured on BBC’s Backstage Pass
2003 Featured artist on BBC ‘SMart’ art programme
2003 BBC ‘Big Toe Radio Show’ studio guest
2004 BBC Radio York feature re. Work at Hotel du Vin, Harrogate
2004 BBC Look North Feature & interview
2004 BBC Southern Counties Radio ‘Sunday Sofa’ Guest
2004 Radio Leeds phone-in guest re. ‘Sculpture in public places’
2004 Featured on CBBC ‘Exchange Programme’
2004 BBC South Today feature
2004 ITV Meridian News Feature & interview
2007 Featured in ITV Meridian programme about West Dean College
2013 Work featured on BBC Bargain Hunt
2011-13 Channel 4 Chatty Man
2017 Work featured on’ Through the Keyhole’
1996 to present Numerous magazine & press features (I lost count!)
David Farrer was born in 1968 in Leeds. At the age of 12 he moved to Spofforth, a small rural village in North Yorkshire, and later in his 30s to Masham in the very heart of the Yorkshire Dales. The environment, its beasts and beauty have always been central to his view on life. Large periods of time living and working in South Africa, with long and repeated visits to Namibia only added to his passion. This was a passion that was to erupt into the creative voice of his present work.
Farrer`s training at Art School was as a printmaker and though this catered to his intellectual observations with humour and satirical wit while publicly airing his ecological concerns, it did not address his need for form and texture or celebrate his greatest love, the land and its creatures.
Farrer has worked solely as a professional artist since 1996 with successful exhibitions in Johannesburg, Everard Read Gallery, regular shows in Surrey, Sussex, Yorkshire and the North, the Mercer Gallery, Harrogate and the Stamford Art Centre, and exhibitions in Liverpool, Leeds, Cirencester and Halifax, as well as other appearances internationally. He has been with the Rebecca Hossack Gallery in Central London since 2000, enjoying a number of solo shows and a high profile at the main London Art Fairs on a regular basis.
Farrer`s career is flourishing, with work in both private and public collections worldwide. The use of paper being intrinsic to some commissions such as the Public Record?s Office in Kew, London; who wanted four busts made from copies of the existing records they held, and relevant to the era, they are on view to any visitor. Farrer`s work hangs in the collections of the intensely serious art buyer, many celebrities and those who are totally new to the market.
These accessible, uncanny beasts speak in tongue to a wide and very varied audience; they never fail to provoke thought, laughter and a deep appreciation. Though very busy with work for a full exhibition schedule and a constant flow of commissions, Farrer also makes the time for a series of workshops, at home and abroad, catering for both the young and the older student.
David Farrer has a home and studio in North Yorkshire and in rural Surrey; he shares his time between the two.
Cordelia John 2003
Art Consultant
"My favoured subject matter is ecological, having a strong interest in "green" matters. My work reflects this. The recycled head concept came about in 1995 while working in South Africa. Over the years I have travelled extensively in this part of the world and never cease to be amazed by its beauty and abundant wildlife". There are admirable wildlife protection policies in operation, yet hunting and specifically trophy gathering remains big business too. I decided to bridge the gap by producing a "recycled trophy" that would satisfy the urge to hang an animal head on the wall but promote pro-ecological thought. "Although the idea was born in Africa I have diversified into European and North American beasts, which to some sections of the public have more familiar appeal."
David Farrer 2000
Sculptor
?Close observation of African culture, where there was an economic need for recycling, led Farrer to experiment with such crude materials as galvanised steel wire, magazines, wood and horse hair. Using papier-m?ch? these are transformed into vibrant and dramatic sculptures that elevate traditional craft materials and na?ve techniques to contemporary fine art?? In David Farrer?s work there is something for everyone. Its intersubjectivity works on many levels with a multiplicity of effect depending on the viewer?s beliefs and interpretation. The sculptures are skilfully executed, creative, innovative and unique.?
"Close observation of African culture, where there was an economic need for recycling, led Farrer to experiment with such crude materials as galvanised steel wire, magazines, wood and horse hair. Using papier-mache these are transformed into vibrant and dramatic sculptures that elevate traditional craft materials and naive techniques to contemporary fine art". In David Farrer`s work there is something for everyone. Its inter subjectivity works on many levels with a multiplicity of effect depending on the viewer`s beliefs and interpretation. The sculptures are skilfully executed, creative, innovative and unique."
Vivienne Roberts MA 2003
Art Critic