simon keeley
Mediums Used
Initially Simon Keeley trained as a stone mason in York before studying stone carving at the London City and Guilds Art School, and then acquiring an MA in architecture at the University of East London. This background has given an architectural dimension to his work, which draws on the heritage of sacred architecture and the architecture of the human figure to create his carved stone pieces. He mainly produces original artworks, which he designs and carves in stone.
Simon Keeley successfully mixes historic styled work, with contemporary designed letter carving and sculptural carving. ‘My heart will always be with historic interests and I think the best lessons are to be found in Simon successfully mixes historic styled work, with contemporary designed letter carving and sculptural carving. ‘My heart will always be with historic interests and I think the best lessons are to be found in work by the old masters’.
He has had important stone carving commissions around London, which he has designed and carved –involving historic settings, such as an heraldic plaque to celebrate the millennium for the Worshipful Company of Skinners.Various restoration carvings carved in stone and marble for Westminster Abbey and School.
A very impressive commission can be viewed on a historic façade
on a specialist clinic development on 120, Harley street in London. This
is an elaborate array of intricately carved ‘healing plants’ in Portland
limestone. Designed and carved by Simon, fitted in August 2009.
Public artworks, involving letter carving in various languages, in brick and stone with Fusion Arts/David Little in East Oxford in 2005 –‘Walkspace’. March 2008, sees me joining forces again with designer of the ‘Soundwaves’ project –David Little, working with the local community for a public area in Tower Hamlets, in East London. Here, as in at Oxford, he was responsible for producing contemporary styled letter carving in many languages, in Cumbrian slate bench tops.
Teaching – Simon began teaching stone carving at the Art Academy from April 2006 until the present day; for the last few years his courses have been fully booked. Simon has just started teaching in East London at St.John’s in Bethnal Green. He also runs very popular long term private classes at Windlesham, plus long term teaching at the prestigious West Dean college.
Radio and TV ; in 2009 Simon was interviewed by Radio 4 in Chichester Cathedral, in relation to ‘the Arundel Tomb’ in Chichester cathedral. In May 2010, he was filmed as a featured artist for ‘Kirstie’s Home Made Homes’, which has been aired a few times on channel 4.
Events – Simon will be appearing in his 4th year at Hatfield House 9th-13th May,
Art, Design and innovation -Living Crafts – selling out in previous years his highly popular ‘Stone carving Workshops’ for all the family at National Trust property Clandon Park -Simon is always happy to try workshops in historic houses or museums.
His last and most exciting commission was a half life sized figure of Saint Peter with keys, for a niche on St.peter’s church in Cockfield in Suffolk. This niche has been empty since the time of the reign of Henry VIII.
In 2011, Simon received The Gold Award –Craft and Design –Specialist Media
Category and in 2012 Simon returns to the winners podium to collect
The Silver Award –Craft and Design –Specialist Media category.
Do vote for Simon in the is year`s Craft and Design awards using the link below?
http://www.craftmaker.co.uk/simonkeeley
I am happy to discuss commissions of all sizes – with a particular interest at present for The Large Abstract – sculptural carving work that would suit a large garden, corporate space or church yard.
contact simon on – 07939 337 441
or e mail – simonkeeley@rocketmail.com
Website – www.simonkeeley.co.uk
Sculptures by simon keeley
Credentials
Qualifications
2001/2003 - MA Art in Architecture, University of East London.
2002 - Intensive courses in Glass Casting, Life Modelling and Letter carving.
2001 - Architectural Stone carving Degree
1994/1995 - NVQ 2 and 3 Basic and Advanced Stonemasonary.
1990 - BTEC National Diploma in Conservation and Restoration.
1982 - Art Foundation Course,2001/2003 - MA Art in Architecture, University of East London.
2002 - Intensive courses in Glass Casting, Life Modelling and Letter carving.
2001 - Architectural Stone carving Degree
1994/1995 - NVQ 2 and 3 Basic and Advanced Stonemasonary.
1990 - BTEC National Diploma in Conservation and Restoration.
1982 - Art Foundation Course
Exhibitions
yes
Awards
2011 - Craft and Design Selected Award 2011 - Specialist Media - Simon was invited to Hatfield House Art and Design Event from 5th - 8th May this year where he exhibited the best of his commissioned work and ran short workshops for the public. He will be repeating this at the Blenheim Palace "Taste of Summer" event from 28th - 30th May 2011
Specialist Judge Miriam Rose awarded Simon a GOLD AWARD on behalf of Craft and Design Magazine.
2003 - Ray Finnis Trust Award - an experimental project in cast glass carved stone and metal. Exhibited MA Art in Architecture graduate exhibition September.
2001 - Letter carving prize - awarded by City and Guilds of London art school.
2000 - The Margaret Ballardie - Travel Award, specific aim, take measurements from one of the heads of Canovas 3 Graces, with the aim of modelling and carving one the the heads. In conjunction with a plaster conservation-restoration job of a damaged plaster cast of the 3 Graces.
1995 - The Marzain Trophy, for hard work and dedication to the stone masonary course York College
Having continued the family link to carving stone, my attraction to stone carving began with his life early in his career. While he was studying conservation and restoration in Lincoln, I developed a love on Lincoln cathedral, its architecture and fine carvings.
"My Great grandfather, Lincoln Cathedral, Rodin, Michaelangelo, Bernini, Canova, Leonardo da Vinci and Eric Gill. Nature, plant forms, foliage and fruits of the forest. Mythical Beasts -such as the gargoyles on Notre Damn, Cologne, Chatres and many other cathedrals and colleges. Abstract forms - especially in the realms of Barabara Hepworth and Henry Moore. Also Brancusi and Giacometti
Surrey Life Magazine-December 2006-Working with Angels-a review of Simon Keeleys` work by Nicola Barranger.
East End Life paper-Bigland Primary School/Poems carved on `public art` benches in Shadwell East London-2008.
Whilst enjoying producing artworks that appeal to the Gallery visitor, I would like to expand the experiences I have had producing public art (brick carving in Knightsbridge, London and East Oxford), and fulfillment in creating working relationships with various diverse artists with their own specialist areas.