mary kaun english
Mediums Used
Wimbledon College of Art (UAL)
Practice and Theory in Fine Art and Design
Putney Art College – Ceramics 2000-2005
Kingston University, Art Foundation Studies, 2000/2001
My intention, in both the process of creating the work and in the work itself, is to combine the bodily, earthly and unspiritual components with the material, ethereal and spiritual elements.
PIT-FIRED CERAMICS
Pit firing is a modern adaptation of an age-old method and is an active collaboration with the elements of earth, wind and fire. In a pit, in the earth or sand, unglazed ceramic sculptures are placed on a bed of wood shavings. Organic materials such as coffee grounds, banana peels and seaweed are placed around the work, as well as copper wire and steel wool; these materials will contribute colour to the ceramics as they burn. The ceramics are then covered with firewood and lit. Once the wood is vigorously burning the pit is covered with metal sheeting to retain the heat. Though the fast and hot fire tests the ceramics to the limit of their tolerance and contributes to a high breakage rate, the successful pieces make the loss rate worthwhile. The warm reds, pinks, blues and yellows that result from the collaboration with the fire and air make each unique piece embody the colours of the earth.
Sculptures by mary kaun english
Credentials
Qualifications
2014 - Ceramic Surfaces, Morley College, London, United Kingdom
Wimbledon College of Art, BA (Hons) Fine Art & Design
Kingston College of Art, Art Foundation
Putney College of Art,2014 - Ceramic Surfaces, Morley College, London, United Kingdom
Wimbledon College of Art, BA (Hons) Fine Art & Design
Kingston College of Art, Art Foundation
Putney College of ArtExhibitions
yes
Awards
Awards: March Heritage Crafts Trainer of the Year 2015
National Trust First Open Call 2015Member: Penwith Gallery St Ives
Cornwall Craft AssociationPublications
RADIO:
Coast Radio, August & October 2017
BBC Cornwall, September 2017
BBC Cornwall, September 2014
BBC Surrey/Sussex September 2014PUBLICATIONS:
The Cornishman, September 2018
St Ives Times and Echo, September 28th, 2018
Cornwall Today Magazine, September 2018
St Ives Times and Echo, September 7th, 2018
Cornwall Life, August 2018
St Ives Times and Echo, 21st, August 2018
The Packet, August 2018
St Ives Times and Echo, 7th, August 2018
Times & Echo & Hayle Times, December 2017
Times & Echo & Hayle Times, January 2017
Ceramics TECHNICAL no 41 2015
COAST Magazine, September 2015
The Cornishman, September 2015
St Ives Times & Echo September 2015
Ceramic Review, spring 2015
Limited Edition, Winter 2014
Cornwall Life, September 2014
BBC Cornwall, Live talk show, September 2014
Pit Firing: Ancient Techniques, Modern Methods, by Dawn Whitehand, Schiffer Publishing PA.
Limited Edition, Spring 2014
London Potter News, Dec/Jan 2013/2014
The Working Informer, November 2013
London Potters News, Dec/Jan 2012/2013
Surrey Life, April 2012
Fired Arts and Crafts, December 2012
Surrey Sculpture Society Newsletter, Winter 2012
The St Ives; Times and Echo, September 2012
Network Arts Magazine, Winter 2012
The Cornishman, September 15, 2012
Leach Pottery Newsletter, Issue 15, September 2012
The Cornishman, September 13, 2011
Surrey Advertiser, 9 July 2012
The Post, September 30, 2004,RADIO:
Coast Radio, August & October 2017
BBC Cornwall, September 2017
BBC Cornwall, September 2014
BBC Surrey/Sussex September 2014PUBLICATIONS:
The Cornishman, September 2018
St Ives Times and Echo, September 28th, 2018
Cornwall Today Magazine, September 2018
St Ives Times and Echo, September 7th, 2018
Cornwall Life, August 2018
St Ives Times and Echo, 21st, August 2018
The Packet, August 2018
St Ives Times and Echo, 7th, August 2018
Times & Echo & Hayle Times, December 2017
Times & Echo & Hayle Times, January 2017
Ceramics TECHNICAL no 41 2015
COAST Magazine, September 2015
The Cornishman, September 2015
St Ives Times & Echo September 2015
Ceramic Review, spring 2015
Limited Edition, Winter 2014
Cornwall Life, September 2014
BBC Cornwall, Live talk show, September 2014
Pit Firing: Ancient Techniques, Modern Methods, by Dawn Whitehand, Schiffer Publishing PA.
Limited Edition, Spring 2014
London Potter News, Dec/Jan 2013/2014
The Working Informer, November 2013
London Potters News, Dec/Jan 2012/2013
Surrey Life, April 2012
Fired Arts and Crafts, December 2012
Surrey Sculpture Society Newsletter, Winter 2012
The St Ives; Times and Echo, September 2012
Network Arts Magazine, Winter 2012
The Cornishman, September 15, 2012
Leach Pottery Newsletter, Issue 15, September 2012
The Cornishman, September 13, 2011
Surrey Advertiser, 9 July 2012
The Post, September 30, 2004
MARY KAUN-ENGLISH is a contempory ceramic artist currently living in Cornwall. She was born and raised in Southern California where her passion for nature started as a young girl. Living in the then undeveloped San Rafael foothills, she was allowed to explore this desert landscape, being conscious of the natural spirit and materials around her, paralleling the movements of the native American Indians; her biological forefathers.
Mary moved to Britain in 1988 and now works from her garden studio, situated adjacent to woodlands in Surrey, creating hard-built sculptures made from clay. These pieces are smoke fired, exposing the porous clay to the smoke given off by the natural organic materials used to fuel the fire. The results are organic sculptures embellished with an account of the smokes ephemeral passage across the clay. By reason of this, each one of the sculptures is unique.
Her recent work centres on an opening in the form; this fundamental part of the work allows air and light into the solid form of the structure.
When exhibiting, Mary`s sculptures always generates a lot of interest from visitors and fellow exhibitors; resulting in frequent sales of her work.
Her work is currently held in private collections through-out England, Europe, California, Boston and India
Related work:
St Ives September Festival, Chairman, December 2016 to Present
Exhibition Co-ordinator, Surrey Sculpture Society, April 2012 - September 2016
I work in clay - a raw material that is earth. With this medium I attempt to obtain an unbroken connection with my natural world. My simple sculptural forms are completed using alternative ceramic firing methods which challenge possibilities, with an unpredictability of the outcome. To aide in the viewing process my pieces are intended to be held in your hand or touched - being tactile and tangible.
Living and working close to the North Cliffs of the Cornish Coastline, I am inspired by the impermanent fluctuation of nature, articulated by the shoreline as it changes during each passing day. This transient progression is mimicked by my process of using flames to patinate my work. As the fire passes over my organic shapes in the temporary kiln it leave a unique trail.
Communal Pit-Firing in conjunction with St Ives Art Festival, September 2011, 2012, 2013, 2015, 2016 & 2017
Broome Park Sensory Garden July 2014
Commissioned by NADFAS to facilitate 6 workshops (60 children) with Northdowns School to create a group project of 3 sculptures.
Communal Pit-firing in conjunction with SAOS June 2013