david mayer
Mediums Used
David creates works driven by the moment, by direct observation and a passion for his subject. Within a career spanning 35 years he has produced both wildlife and figurative studies on a commercial basis including a life-size bronze Welsh Cob commissioned for the town of Aberaeron, Wales.
His own editions in bronze are choices based upon what he is interested in at that time or reflections of recent observation and encounters.
I am often torn between working outdoors with a sketchbook and being in the studio. The studio is where the work is completed … outside is where my work starts. I enjoy all aspects of being outside, come rain or shine and is where I am most comfortable.
My time outdoors is split between simply walking and finding my subjects or my other passion, running in the mountains and trails where there is always opportunity for that chance sighting that may be the spark for something new.
When developing a new piece it usually starts from my sketchbooks, then the creation of pinch maquette’s that stand a few centimetres tall. From this point I should have some idea if a larger piece will work or not. Occasionally I dive right in and with full conviction and sculpt the new piece … the immediate response, the fresh unrehearsed approach, offering something extra to the work.
I offer no meaning for my works … they are what they are, responses to observations of animals sculpted in a long held style that comes most naturally to me.
David
Sculptures by david mayer
Credentials
Qualifications
Cert Ed
David Mayer was born in Staffordshire in 1964 and studied art a Leek Art College. His early career was spent as a survey assistant with the British Deer Society where he monitored the population numbers, behaviour and movements of Fallow deer in north Staffordshire.
David Mayer`s training and background mean he is able to work in many media and explore diverse subjects. However, his lifelong passion for sculpture and wildlife draw him instinctively to sculpting the animal form.
Each piece is the result of field observation ans starts with sketches before being transposed to clay. David`s experience means he understands the importance of anatomical precision to the finished piece and he takes great care in the early stages of the sculpting process to ensure that every detail of movement and gesture is rendered accurately. Such attention during these stages allows him to explore textures, finishes and moods in the later stages of the piece, giving each one a unique and distinctive identity.
Aberaeron, Welsh Cob statue