ama menec
Mediums Used
Ama Menec is passionate about the need for wilderness and the plight of Britain`s endangered animals. Her animal sculptures focus primarily on threatened species in the UK and are stylistically inspired by etchings, woodblock prints, early 20th century illustration and Art Deco stone carving.
Her earlier figurative sculptures based on mythological and archaeological representations of women are now being combined with her previous experience of teaching Lesbian History, with several possible projects currently being explored.
Ama Menec`s personal statement. My sculptures reflect a 25 year fascination with our earliest pre-history combined with a love of the sea and marine creatures, Archaic Greek stone sculpture, the marking, corrosion and weathering of artefacts over time, and an appreciation of the fuller female form. These themes are often woven together into whimsical sculptures, sometimes functional and sometimes designed purely to delight the eye. I hope to widen the appreciation of archaic sculptures of women by re-interpreting them for the modern world. I am also influenced by early 20th century stone carving, particularly Art Deco, the qualities of line and use of negative spaces, but coupled with the colour only really possible in 3D with ceramics.
I have been working in Ceramics since the late 70`s, gained my Art Foundation in Cambridge in 1984 and have been sculpting at Coombe Park since 2001. I have had a varied ceramics career including time spent as potters assistant to Rupert Andrews, and as a production thrower for David White. I gained my Ceramics B.A. from the University of Derby in 1996, and, as well as full-time sculpting, am also engaged in ceramics teaching and demonstrating. For more on my courses, and of future apprenticeships, please see my pottery and sculpture classes page on my website.
All my sculptures are made from a combination of wheel throwing, slab-forming, coiling, carving and hand modelling using Earthstone clay, crank, terracotta or my own paperclay mix. They are glazed using low-fire and mid-fire stoneware glazes which are immensely variable, and so ensure that no two sculptures are ever the same. I also rarely use the same combination of glazes and oxides on any two pieces. Because of this, the images on my website are to be seen as a guide only, and if you are interested in buying a specific sculpture, contact me and I shall email you jpeg pictures of the latest sculptures I have of that type in the studio, should the sculpture featured on my website happen to be sold. I can also glaze a sculpture for you with any of the glazes shown, if you have a particular preference of colour and texture.
Sculptures by ama menec
Credentials
Qualifications
1983-4 Art Foundation, C.C.A.T., Cambridge.
1993-6 BA (Hons) Applied Arts (2:1), University of Derby.,1983-4 Art Foundation, C.C.A.T., Cambridge.
1993-6 BA (Hons) Applied Arts (2:1), University of Derby.Exhibitions
yes
Awards
Wildlife Art Society International at Nature In Art, best sculpture in show for Bronze Female Red Kite 2014
Awarded the Tate St Ives Prize for Bronze Female Buzzard at the Royal Scottish Academy 2015.
Awarded the Brownston Gallery prize for Bronze Female Red Kite, South West Academy 2016.
Awarded the Grand Prize for Bronze Female Buzzard at East West Art Award Competition 2016 London.Publications
Western Morning News weekend feature September 2007
Article in Totnes Times for the `Midwinter Fire` exhibition at Birdwood House December 2008
Featured Artist, Wild Devon Magazine, April 2009
Devon Lives BBC radio interview April 2009
Garden Sculpture in Devon Life Magazine May 2011.
Schiffer Publications `Wildlife Art Today` by Cindy Ann Coldiron 2015,Western Morning News weekend feature September 2007
Article in Totnes Times for the `Midwinter Fire` exhibition at Birdwood House December 2008
Featured Artist, Wild Devon Magazine, April 2009
Devon Lives BBC radio interview April 2009
Garden Sculpture in Devon Life Magazine May 2011.
Schiffer Publications `Wildlife Art Today` by Cindy Ann Coldiron 2015
Her earliest influences as a teenager were the Natural History, Archaeology and Anthropology museums of Cambridge, and they inspire me still.